POVERA | CENA.CENOURA (2015)

During the seven acts and the epilogue the audience attends to the meticulous celebration of a meal: setting, starters, first course, second course, dessert and coffee/sherries.

Here, the architecture becomes starting point, generating actions, events. The dramatic text is born after the construction (not the set-design after the play has benn written, as ususal) and it's inspired by both the human actions and the possibilities of the space.

And Time which measures everything.

EXHIBITED AT

2015 32º FESTIVAL DE ALMADA
Dar lugar ao acontecimento — Pavilhão Povera

2018 BIENNALE DI VENEZIA
SPANISH PAVILION - VIRTUAL PAVILION

CREDITS

Production A Esther Moya le Robaron una Medalla
Performance
Luis Amália
Pavilhão Povera Atelier JQTS  | atelierjqts.com
Construction Alexandre Sequeira, Ana Carvalho, Eduardo Bote, Francisca Guimarães, João Carlos Lopes, João Pedro Faria, João Quintela, Pedro Grilo, Tim Simon
Engineering Daniel Maio
Photography Diana Quintela | dianaquintela.com

It is important to explain the experimental character of this piece.

The audience doesn’t expect the piece to happen.
It’s part of the process to catch people’s attention and make them be part of the piece.

The movements and the relation with the audience will change every day. Trial and error. Some things will be kept if they work, others will be deleted.

One act per day and in every act, all of them.

LUIS AMÁLIA
based in London but available for work in Madrid too.
a.luisamalia@gmail.com
UK (+44) 7523 296575
ES (+34) 680 22 95 45

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